Вдалині від божевільного натовпу

I. Description of Farmer Oak—An Incident

           Whatpossessedhertoindulgeinsuchaperformanceinthesightofthesparrows,blackbirds,andunperceivedfarmerwhowerealoneitsspectators,whetherthesmilebeganasafactitiousone,totesthercapacityinthatart,nobodyknows;itendedcertainlyinarealsmile.Sheblushedatherself,andseeingherreflectionblush,blushedthemore.

           Thechangefromthecustomaryspotandnecessaryoccasionofsuchanactfromthedressinghourinabedroomtoatimeoftravellingoutofdoorslenttotheidledeedanoveltyitdidnotintrinsicallypossess.Thepicturewasadelicateone.Woman’sprescriptiveinfirmityhadstalkedintothesunlight,whichhadclotheditinthefreshnessofanoriginality.AcynicalinferencewasirresistiblebyGabrielOakasheregardedthescene,generousthoughhefainwouldhavebeen.Therewasnonecessitywhateverforherlookingintheglass.Shedidnotadjustherhat,orpatherhair,orpressadimpleintoshape,ordoonethingtosignifythatanysuchintentionhadbeenhermotiveintakinguptheglass.ShesimplyobservedherselfasafairproductofNatureinthefemininekind,herthoughtsseemingtoglideintofar-offthoughlikelydramasinwhichmenwouldplayapartvistasofprobabletriumphsthesmilesbeingofaphasesuggestingthatheartswereimaginedaslostandwon.Still,thiswasbutconjecture,andthewholeseriesofactionswassoidlyputforthastomakeitrashtoassertthatintentionhadanypartinthematall.

           Thewaggoner’sstepswereheardreturning.Sheputtheglassinthepaper,andthewholeagainintoitsplace.

Налаштування
Фон сторінки
Розмір шрифту
Міжрядковий інтервал
Фразові дієслова
Показати / Приховати меню
Шрифт
Roboto Lora
Уведомления
Сторінка 9 з 522