XLVI. The Gurgoyle: Its Doings

           

           ThetowerofWeatherburyChurchwasasquareerectionoffourteenth-centurydate,havingtwostonegurgoylesoneachofthefourfacesofitsparapet.Oftheseeightcarvedprotuberancesonlytwoatthistimecontinuedtoservethepurposeoftheirerection—thatofspoutingthewaterfromtheleadroofwithin.Onemouthineachfronthadbeenclosedbybygonechurch-wardensassuperfluous,andtwootherswerebrokenawayandchoked—amatternotofmuchconsequencetothewellbeingofthetower,forthetwomouthswhichstillremainedopenandactiveweregapingenoughtodoallthework.

           Ithasbeensometimesarguedthatthereisnotruercriterionofthevitalityofanygivenart-periodthanthepowerofthemaster-spiritsofthattimeingrotesque;andcertainlyintheinstanceofGothicartthereisnodisputingtheproposition.Weatherburytowerwasasomewhatearlyinstanceoftheuseofanornamentalparapetinparishasdistinctfromcathedralchurches,andthegurgoyles,whicharethenecessarycorrelativesofaparapet,wereexceptionallyprominent—oftheboldestcutthatthehandcouldshape,andofthemostoriginaldesignthatahumanbraincouldconceive.Therewas,sotospeak,thatsymmetryintheirdistortionwhichislessthecharacteristicofBritishthanofContinentalgrotesquesoftheperiod.Alltheeightweredifferentfromeachother.Abeholderwasconvincedthatnothingonearthcouldbemorehideousthanthosehesawonthenorthsideuntilhewentroundtothesouth.Ofthetwoonthislatterface,onlythatatthesouth-easterncornerconcernsthestory.

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