Граф Монте-Крісто

The Presentation.

           Thesalonwasfilledwiththeworksofmodernartists;therewerelandscapesbyDupre,withtheirlongreedsandtalltrees,theirlowingoxenandmarvellousskies;Delacroix’sArabiancavaliers,withtheirlongwhiteburnouses,theirshiningbelts,theirdamaskedarms,theirhorses,whotoreeachotherwiththeirteethwhiletheirriderscontendedfiercelywiththeirmaces;aquarellesofBoulanger,representingNotreDamedePariswiththatvigorthatmakestheartisttherivalofthepoet;therewerepaintingsbyDiaz,whomakeshisflowersmorebeautifulthanflowers,hissunsmorebrilliantthanthesun;designsbyDecamp,asvividlycoloredasthoseofSalvatorRosa,butmorepoetic;pastelsbyGiraudandMuller,representingchildrenlikeangelsandwomenwiththefeaturesofavirgin;sketchestornfromthealbumofDauzats’"TravelsintheEast,"thathadbeenmadeinafewsecondsonthesaddleofacamel,orbeneaththedomeofamosqueinaword,allthatmodernartcangiveinexchangeandasrecompensefortheartlostandgonewithageslongsincepast.

           Albertexpectedtohavesomethingnewthistimetoshowtothetraveller,but,tohisgreatsurprise,thelatter,withoutseekingforthesignatures,manyofwhich,indeed,wereonlyinitials,namedinstantlytheauthorofeverypictureinsuchamannerthatitwaseasytoseethateachnamewasnotonlyknowntohim,butthateachstyleassociatedwithithadbeenappreciatedandstudiedbyhim.

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