Падение дома Ашеров
Bytheuttersimplicity,bythenakednessofhisdesigns,hearrestedandoverawedattention. Ifevermortalpaintedanidea,thatmortalwasRoderickUsher. Formeatleast,inthecircumstancesthensurroundingme,therearoseoutofthepureabstractionswhichthehypochondriaccontrivedtothrowuponhiscanvas,anintensityofintolerableawe,noshadowofwhichfeltIeveryetinthecontemplationofthecertainlyglowingyettooconcretereveriesofFuseli.
Oneofthephantasmagoricconceptionsofmyfriend,partakingnotsorigidlyofthespiritofabstraction,maybeshadowedforth,althoughfeebly,inwords. Asmallpicturepresentedtheinteriorofanimmenselylongandrectangularvaultortunnel,withlowwalls,smooth,white,andwithoutinterruptionordevice. Certainaccessorypointsofthedesignservedwelltoconveytheideathatthisexcavationlayatanexceedingdepthbelowthesurfaceoftheearth. Nooutletwasobservedinanyportionofitsvastextent,andnotorchorotherartificialsourceoflightwasdiscernible;yetafloodofintenseraysrolledthroughout,andbathedthewholeinaghastlyandinappropriatesplendor.
Ihavejustspokenofthatmorbidconditionoftheauditorynervewhichrenderedallmusicintolerabletothesufferer,withtheexceptionofcertaineffectsofstringedinstruments. Itwas,perhaps,thenarrowlimitstowhichhethusconfinedhimselfupontheguitarwhichgavebirth,ingreatmeasure,tothefantasticcharacteroftheperformances. Butthefervidfacilityofhisimpromptuscouldnotbesoaccountedfor.
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