Хребты безумия
VI
Acentralcourt—asinotherstructureswehadseenfromtheair—savedtheinnerregionsfromtotaldarkness; sothatweseldomhadtouseourelectrictorchesintheupperroomsexceptwhenstudyingsculptureddetails. Belowtheicecap,however,thetwilightdeepened;andinmanypartsofthetangledgroundleveltherewasanapproachtoabsoluteblackness.
Toformevenarudimentaryideaofourthoughtsandfeelingsaswepenetratedthisaeon-silentmazeofunhumanmasonry,onemustcorrelateahopelesslybewilderingchaosoffugitivemoods,memories,andimpressions. Thesheerappallingantiquityandlethaldesolationoftheplacewereenoughtooverwhelmalmostanysensitiveperson,butaddedtotheseelementsweretherecentunexplainedhorroratthecamp,andtherevelationsalltoosooneffectedbytheterriblemuralsculpturesaroundus. Themomentwecameuponaperfectsectionofcarving,wherenoambiguityofinterpretationcouldexist,ittookonlyabriefstudytogiveusthehideoustruth—atruthwhichitwouldbenaivetoclaimDanforthandIhadnotindependentlysuspectedbefore,thoughwehadcarefullyrefrainedfromevenhintingittoeachother. Therecouldnowbenofurthermercifuldoubtaboutthenatureofthebeingswhichhadbuiltandinhabitedthismonstrousdeadcitymillionsofyearsago,whenman’sancestorswereprimitivearchaicmammals,andvastdinosaursroamedthetropicalsteppesofEuropeandAsia.
Wehadpreviouslyclungtoadesperatealternativeandinsisted—eachtohimself—thattheomnipresenceofthefive-pointedmotifsmeantonlysomeculturalorreligiousexaltationoftheArchaeannaturalobjectwhichhadsopatentlyembodiedthequalityoffive-pointedness;