Риф, или Там, где разбивается счастье

I

           HehadonceortwicerunacrossthemanwhomAnnaSummershadpreferredtohim,andsincehehadmetheragainhehadbeenexercisinghisimaginationonthepictureofwhathermarriedlifemusthavebeen.HerhusbandhadstruckhimasacharacteristicspecimenofthekindofAmericanastowhomoneisnotquiteclearwhetherhelivesinEuropeinordertocultivateanart,orcultivatesanartasapretextforlivinginEurope.Mr.Leath’sartwaswater-colourpainting,buthepractiseditfurtively,almostclandestinely,withthedisdainofamanoftheworldforanythingborderingontheprofessional,whilehedevotedhimselfmoreopenly,andwithreligiousseriousness,tothecollectionofenamelledsnuff-boxes.Hewasblondandwell-dressed,withthephysicaldistinctionthatcomesfromhavingastraightfigure,athinnose,andthehabitoflookingslightlydisgusted—aswhoshouldnot,inaworldwhereauthenticsnuff-boxesweregrowingdailyhardertofind,andthemarketwasfloodedwithflagrantforgeries?

           DarrowhadoftenwonderedwhatpossibilitiesofcommuniontherecouldhavebeenbetweenMr.Leathandhiswife.Nowheconcludedthattherehadprobablybeennone.Mrs.Leath’swordsgavenohintofherhusband’shavingfailedtojustifyherchoice;butherveryreticencebetrayedher.Shespokeofhimwithakindofimpersonalseriousness,asifhehadbeenacharacterinanovelorafigureinhistory;andwhatshesaidsoundedasthoughithadbeenlearnedbyheartandslightlydulledbyrepetition.

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