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The Governor’s Hall

           Onthewallhungarowofportraits,representingtheforefathersoftheBellinghamlineage,somewitharmourontheirbreasts,andotherswithstatelyruffsandrobesofpeace.Allwerecharacterisedbythesternnessandseveritywhicholdportraitssoinvariablyputon,asiftheyweretheghosts,ratherthanthepictures,ofdepartedworthies,andweregazingwithharshandintolerantcriticismatthepursuitsandenjoymentsoflivingmen.

           Ataboutthecentreoftheoakenpanelsthatlinedthehallwassuspendedasuitofmail,not,likethepictures,anancestralrelic,butofthemostmoderndate;forithadbeenmanufacturedbyaskilfularmourerinLondon,thesameyearinwhichGovernorBellinghamcameovertoNewEngland.Therewasasteelhead-piece,acuirass,agorgetandgreaves,withapairofgauntletsandaswordhangingbeneath;all,andespeciallythehelmetandbreastplate,sohighlyburnishedastoglowwithwhiteradiance,andscatteranilluminationeverywhereaboutuponthefloor.Thisbrightpanoplywasnotmeantformereidleshow,buthadbeenwornbytheGovernoronmanyasolemnmusteranddrainingfield,andhadglittered,moreover,attheheadofaregimentinthePequodwar.For,thoughbredalawyer,andaccustomedtospeakofBacon,Coke,Noye,andFinch,ashisprofessionalassociates,theexigentiesofthisnewcountryhadtransformedGovernorBellinghamintoasoldier,aswellasastatesmanandruler.

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